Samuel van Hoogstraten Rotterdam, To comprehend the artistic climate in which Vermeer worked, it is useful to consult prevalent art theory.
Dissius , Delft; his sale, Amsterdam, 16 Mayno. Kamermans, Rotterdam; his sale, by A.
It contains a letter, a stick of sealing wax, a bright red seal and an object that has been interpreted alternatively as a small book, or more likely, a letter with its wrapper crumpled. If it is a letter, it may be one that the lady has received or an unsatisfactory draft. Vermeer's A Lady Writing from the National Gallery of Art Norton Simon Museum; Kyoto 25 June–16 October, Lady in Mourning Clothes Reading a Letter Gerrit ter Borch Private collection Woman Writing a Letter Gerrit ter Borch c. . This painting is one of the most ingenious compositions of Vermeer’s late career. While a maidservant stares out of a window, her mistress writes a letter. In the foreground on the floor, lie a red seal, a stick of sealing wax and an object which is probably a letter-writing manual, often used for personal correspondence at the time.
Lamme, Rotterdam, 3 Octoberno. Roos, Amsterdam, Aprilno. LeRoy, Brussels ; purchased by J. Pierpont Morgan , New York; by inheritance to his son, J.
A Web of Social History, Princeton, Technical Summary The fabric support has a moderately fine weave. The support was prepared with a warm gray ground, which extends onto the tacking margin on the right and lower edges.
Vermeer worked with a colored underpaint characterized by stronger contrasts of light and dark than the final paint and a rougher texture. The contrast of smoothly blended final paint over the vigorous underpaint creates a variety of effects.
In the yellow jacket, for example, vigorous folds described in the underpaint were smoothed by fluid strokes, followed by rounded highlights touched into wet paint to form specular reflections on the fabric. Contours are softened by blending adjacent paint areas wet-into-wet, or by leaving a small area of ground or underpaint exposed along the edges.
A few flake losses exist, mostly on the edges. Small, regularly spaced holes along the left and right edges penetrate the paint and ground layer but do not align with the cusping pattern or appear to be tack holes from a dimensional change.
There is some abrasion in the still life hanging on the wall, but overall the painting is in excellent condition. It was treated in by Louis de Wild. Feller, Carnegie Mellon University, Pittsburgh, has identified chalk, lead white, black, and red and yellow iron oxide pigments in the gray ground see report dated June 26,in NGA Conservation department files.
Van der Meer de Delft. Translated by Edward G. Esslingen and Paris, Catalogue of a collection of paintings by Dutch masters of the seventeenth century. The Hudson-Fulton Celebration 1. Metropolitan Museum of Art. Jan Vermeer of Delft.
Jan Vermeer de Delft. Brussels and Paris, Ver Meer de Delft. Museum Boymans, Rotterdam, Naar aanleiding van de tentoonstelling in het nieuwe Boymansmuseum. Edited by Frederick W. Coburn and Ralph T.
Boston and New York, Catalogue of European paintings and sculpture from Edited by Wilhelm R. Jan Vermeer van Delft. Bibliotheek der Nederlandsche Kunst. Loan Exhibition for War Relief. The Paintings of Jan Vermeer. Oxford and New York, Lady Writing a Letter with her Maid is a painting by the Dutch artist Johannes Vermeer, completed in – and held in the National Gallery of lausannecongress2018.com work shows a middle-class woman attended by a housemaid who is presumably acting as messenger and go-between for the lady and her lausannecongress2018.com: Johannes Vermeer.
This painting is one of the most ingenious compositions of Vermeer’s late career. While a maidservant stares out of a window, her mistress writes a letter. In the foreground on the floor, lie a red seal, a stick of sealing wax and an object which is probably a letter-writing manual, often used for personal correspondence at the time.
Media in category "Lady writing a letter with her maid (Vermeer)" The following 8 files are in this category, out of 8 total. The difference between A Lady Writing and the iconographic traditions of genre paintings of women writing or receiving love letters is in large part a result of Vermeer’s focus on the individuality of the woman.
Because of her distinctive features, direct gaze, and closeness to the picture plane, the painting reads as much as a portrait as it. Lady Writing a Letter with her Maid is a painting by the Dutch artist Johannes Vermeer, completed in – and held in the National Gallery of lausannecongress2018.com work shows a middle-class woman attended by a housemaid who is presumably acting as messenger and go-between for the lady and her lover.
The work is seen as a bridge between the Location: National Gallery of Ireland. A Lady Writing a Letter (also known as A Lady Writing; Dutch: Schrijvend meisje) is an oil painting attributed to 17th century Dutch painter Johannes Vermeer.
It is Artist: Johannes Vermeer.